Feb 15th     
The Time Traveler's Wife*      

(US 2008 - released 2009)    
New Line/Plan B Entertainment. 107m. ws

A young girl meets a man who suffers from a genetic disorder of jumping back and forth in time; she later meets and marries him as an adult. 
Sentimental fantasy romance with too easily good-looking stars, and some interesting supporting characters and scenes are only mere incidentals. The time travel element itself works more as Cupid than as catalyst.

Written by: Bruce Joel Rubin, from the novel by AudreyNiffenegger.
Producers: Nick Wechsler, Dede Gardner.
Director: Robert Schwentke.
Starring: Eric Bana, Rachel McAdams, Arliss Howard, Michelle Nolden, Stephen Tobolowsky, Ron Livingston, Hailey McCann, Brooklyn Proulx.
Photography: Florian Ballhaus.
Music: Michael Danna.
Editing: Thom Noble.

 Feb 10th    
Faust**     
(Ger 1926)    
UFA. 106m. bw. silent

Aged physician Faust sells his soul to try and cure plague victims, but is corrupted instead by the Devil.
Wonderfully visual if typically overstated Murnau supernatural drama, not long before his Hollywood transfer with Sunrise.

Written by: Hans Kyser.
Producer: Erich Pommer.
Director: F.W. Murnau.
Starring: Gosta Ekmann, Emil Jannings, Camilla Horn, Frida Richard, William Dieterle, Yvette Gilbert, Werner Fuetterer.
Photography: Carl Hoffmann.

Preceded by:
Under the Roses    
(GB 2025. 10m.; Two railway workers trapped underground start to discover each others' secrets.; w, p, d: Jim Burke; s: George Penny, Lester Pearce; ph: Noah Grant; m: Harvey O'Sullivan.)

Feb 8th       
Batman**      
(Eventim Apollo Hammersmith - former Odeon)   

(US 1989)
Warner Bros. 125m.

A mysterious caped crusader stalks the streets of a Gotham City ruled by gangsters and thugs, with Bruce Wayne as his alter ego. In the process of fighting crime, he inadvertently helps to create a new adversary: The Joker.
Live concert performance of Danny Elfman's soundtrack to this flawed but entertaining blockbuster, with dramatic sets and a perfectly cast villain having a whale of a time, to make up for some gaping holes in an otherwise interesting plot. Considered at the time to be quite dark in tone (in contrast to the earlier 1960s TV series), it is still more enjoyable than the much "darker" comic book films made today.

Written by: Sam Hamm, Warren Skaaren, based on the comic book created by Bob Kane.
Producers: John Peters, Peter Guber.
Director: Tim Burton.
Starring: Michael Keaton, Jack Nicholson, Kim Basinger, Robert Wuhl, Michael Gough, Jack Palance, Jerry Hall, Pat Hingle, Billy Dee Williams, William Hootkins, Tracey Walter, Garrick Hagon.
Photography: Roger Pratt.
Music: Danny Elfman (performed live).
Make-up: Paul Engelen (Joker make-up by Nick Dudman).
Production Design: Anton Furst.

100 Favourite Films: Batman

Feb 8th   
Saipan*  (15)            
(Odeon Camden)   


(Ireland/Northern Ireland 2025)   
Wild Atlantic.Fine Point Films/others. 90m. ws

The bust-up before the 2002 FIFA World Cup between Irish manager Mick McCarthy and his loose cannon star player Roy Keane, made as a pop video docudrama celebrating the era as much as it is also a study of male versus alpha-male. Unlike The Damned United , a brief disclaimer about the historical veracity of it all appears at the beginning of the film rather than at the end.

w: Paul Fraser
p: Macdara Kelleher, John Kruille, Trevor Birney, Oliver Butler
d: Glenn Leyburn, Lisa Barros D'Sa
s: Eanna Hardwicke, Steve Coogan, Harriet Cains, Alice Lowe, Jack Hickey
ph: Piers McGrall
m: David Holmes
ed: Gavin Buckley, John Murphy

                     SAIPAN. Another double act featuring Steve Coogan, although one far less harmonious than Laurel and Hardy

 

Jan 27th   
The Elephant Man**    
(National Film Theatre)

(GB 1980)  
EMI/Brooksfilms. 118m. bw Panavision

A horribly deformed man is taken out of a fairground freak show and looked after by a young doctor.
Unpleasant and uncomfortable to watch in phases, with the director indulging himself in the steamy Victorian atmosphere, this nonetheless richly absorbing hospital drama generally compels through its sincerity, mainly due to Hurt's moving performance under the prosthetics. The most astounding aspect of all this is that it is based quite closely on fact. 

Written by: Christopher De Vore, Eric Bergren, David Lynch.
Producer: Jonathan Sanger.
Director: David Lynch.
Starring: John Hurt, Anthony Hopkins, Freddie Jones. John Gielgud, Wendy Hiller, Anne Bancroft, Michael Elphick, Hannah Gordon, Dexter Fletcher, Kenny Baker.
Photography: Freddie Francis.
Music: John Morris.
Elephant Man Make-up: Christopher Tucker (taken from the original Elephant Man's skeleton).

+ screening followed by an engaging interview with Dexter Fletcher, who turned 14 years old during the making of the film

Jan 14th    
Hamnet** (12A)    
(Curzon Colchester)              

(GB/US 2025)     
Universal/Focus Features/Amblin/Hora Pictures. 126m.

The Shakespeares' youngest son dies unexpectedly of the plague, but his father writes a play to help his wife come to terms with the loss.
Visually poetic drama which consciously avoids the biopic cliche of name dropping its main figure (the name William Shakespeare is only mentioned once), essentially a powerful and rather sombre romance of a broken couple who happen to be based on real-life figures, with some visceral performances.

Written by: Chloe Zhao, Maggie O'Farrell, from her novel.
Producers: Liza Marshall, Pippa Harris, Nicholas Ganda, Steven Spielberg, Sam Mendes.
Director: Chloe Zhao.
Starring: Jessie Buckley, Paul Mescal, Emily Watson, Joe Allwyn, Jacobi Jupe (as Hamnet Shakespeare), David Wilmot, Olivia Lynes,  Noah Jupe.
Photography: Lukasz Zal.
Music: Max Richter.
Producton Design: Fiona Crombie.

                               

Jan 3rd      
The Roaring Twenties**         
(US 1939)  
Warner Bros. 107m. bw     

The adventures of an unemployed soldier who turns bootlicker during the Prohibition years. 
Clunky inter-scene narration mars this otherwise typically forceful Warner gangster morality fable, tailored as a vehicle for tough guy Cagney as well as upcoming star Priscilla Lane, but Bogart is also an unexpected scene-stealing menace in his 'pre-likeable' days.

Written by: Jerry Wald, Richard Macaulay, Robert Rossen, from a story by Mark Hellinger.
Producers: Hal B. Wallis, Samuel Bischoff.
Director: Raoul Walsh. 
Starring: James Cagney, Humphrey Bogart, Gladys George, Priscilla Lane, Jeffrey Lynn, Frank McHugh, Paul Kelly, Joseph Sawyer.
Photography: Ernest Haller.
Music: Ray Heindorf, Heinz Roehmheld.

+ OPENING NARRATION, which could unnervingly apply to the present decade as well:
"Today, while the Earth shakes beneath the heels of marching troops, while a great portion of the world trembles before the threats of power-mad men, we of America have little time to remember an astounding era in our own recent history. An era which will grow more and more incredible with each passing generation, until someday people will say it never could have happened at all."

Dec 23rd  
Battle of the Bulge**    
(US 1965)    
Warner Bros/Cinerama/United States Pictures. 170m. Ultra Panavision

Crack Panzer tanks make an unexpected burst for victory through the American lines in the winter of 1944.
Gripping war actioner in places, a semi-sequel to The Longest Day with some of the same talents, although horribly commercialised in a variable production (including Cinerama interludes shot in sunny Spain rather than the wintry Ardennes), and the usual unnecessary female interest.

Written by: Philip Yordan, Miltton Sperling, John Melson.
Producers: Milton Sperling, Philip Yordan.
Director: Ken Annakin.
Starring: Henry Fonda, Robert Shaw, Robert Ryan, Dana Andrews, Telly Savalas, Charles Bronson, Hans Christian Blech, Werner Peters, Ty Hardin, George Montgomery, James MacArthur, Pier Angeli, Barbara Herle.
Photography: Jack Hildyard, and others.
Music: Benjamin Frankel.

+ next to none of the participants in the actual Battle of the Bulge are mentioned by name: this was due to a rival Columbia production started ahead of the Warners' Cinerama epic, intended to be more historically accurate, but the film was never made.